All Projects
Poetry Scores Fall Invitational
“even then it was clear I’d never be at the centre of your universe”
2011
24×18
mixed media
Poetry Scores Art Invitational, Fall 2011
“The Shape of a Man”
Art exhibit and chapbook release
Mad Art Gallery2727 So. 12th St., St. Louis
7-11 p.m. January 6, 2012 New work by Amy VanDonsel
Poetry chapbook by Chris King Poetry performance with musical guests
Additional art by:
Oscar Alvarez, Kevin Belford,
the late Hunter Brumfield, Ron Buechele,
Jon Cournoyer, Dr. Andrew Dykeman,
Fred Friction, Matt Fuller,
Robert Goetz, Chris King,
Noah Kirby, B.J. Vogt.
Potluck provided by men who cook.
Also, one exemplary man – Hap Phillips – will be exhibited.
Amy VanDonsel and Chris King collaborate on and co-curate a small group show, the first in a projected annual exhibit series exploring the shapes that men and women are in.
“The Shape of a Man” opens Friday, January 6, 2012, at Mad Art Gallery, 2727 So. 12th Street, with a reception from 7-11 p.m. “The Shape of a Man,” explores the shapes men are in through a creative conversation between a woman and a man working in a variety of media (with help from their man friends, living and dead).
Amy VanDonsel will show new mixed media, paintings and installation, and Chris King will release a chapbook, The Shape of a Man, and perform poems from it with Fred Friction, Roy Gokenbach and Josh Weinstein.
The exhibit also will feature visual art by Oscar Alvarez, Kevin Belford, the late Hunter Brumfield, Ron Buechele, Jon Cournoyer, Dr. Andrew Dykeman, Fred Friction, Matt Fuller, Robert Goetz, Chris King, Noah Kirby and B.J. Vogt. A potluck will be provided by the men artists and other men who cook. Also, one exemplary man – one Hap Phillips – will be exhibited in his natural, fabricated habitat.
Amy VanDonsel creates mixed media paintings on canvas or panels and installations with paper, tape, string and found items. Her work examines textual communication and the processing of information through abstracted and figurative imagery, and combines research interests in literature and technology with handmade visual representations. She is the Director of Marketing and Development for Saint Louis City Open Studio and Gallery; plans arts and charitable events; and serves on the board of directors for non-profit Poetry Scores.
Chris King has been recasting his old, bad poems into the 7/11 form innovated by Quincy Troupe, alternating lines with 7 and 11 syllables and alternating stanzas with 7 and 11 lines, with results he likes enough to publish. The Shape of a Man (Intagliata Imprints) compiles his more manly 7/11s. As an “artist,” he sketches people and then has the subject sign the sketch, or makes paintings on vinyl records based on his sketchbook. He will perform his poetry with musical guests through Noah Kirby’s sculpture With Solid Stance and Stable Sound.
VanDonsel and King have previously collaborated on projects for the non-profits Poetry Scores and Saint Louis City Open Studio and Gallery. They also happen to share a birthday. VanDonsel/King plan to continue the “Shape of a Wo/Man” project with a follow-up exhibit, “The Shape of a Woman,” in January 2013 at Mad Art Gallery, then continue the themed project with future group collaborations.
What: Visual Art Exhibit Opening and Chapbook Release, with accompanying performances
When: Friday, January 6, 2012, 7-11 p.m.
Where: Mad Art Gallery, 2727 S. 12th Street, St. Louis, MO 63118
Who: Presented by Amy VanDonsel and Chris King, also featuring Oscar Alvarez, Kevin Belford, the late Hunter Brumfield III, Ron Buechele, Jon Cournoyer, Dr. Andrew Dykeman, Fred Friction, Matt Fuller, Robert Goetz, Roy Gokenbach, Chris King, Noah Kirby, Hap Phillips, B.J. Vogt and Josh Weinstein.
Cost: Free and open to the public with cash bar
CONTACT:
Amy VanDonselavd@amyvandonsel.com
(314) 265-7836
www.amyvandonsel.com Chris King
brodog@hotmail.com
314-265-1435
www.confluencecity.blogspot.com Mad Art Gallery
2727 S. 12th Street
St. Louis, MO 63118
Phone 314.771.8230
info@madart.com
www.madart.com
Aisle 1 Gallery Mural Installation
Follow the Yellow Brick Road
2011
96″x48″
Mixed Media on Wood
Choose Your Own Adventure Installation
The Mirage of Materiality: Minimalist Hypertext for the Very Literal Minded
New work by Amy VanDonsel
Concrete Ocean Art Gallery, 2757 Jefferson Avenue, St. Louis, MO (314) 479-0199
March 11, 2011 – April 1, 2011
Gallery Hours: 2PM-6PM Monday-Friday or by appointment
Closing Reception: Friday, April 1, 7PM-11PM
Heterachy: An Ordinary Adventure
Solo Exhibit
June 2010
Heterarchy: An Ordinary Adventure
Mostly New Work by Amy VanDonsel
Fort Gondo Compound for the Arts
Saint Louis, Missouri
Delivery for @sub_english
“Delivery for @sub_english”
2010
Installation
Paper, market, masking tape, rope, string, found net and books
Exhibited:
Solo Exhibit
June 2010
Heterarchy: An Ordinary Adventure
Mostly New Work by Amy VanDonsel
Fort Gondo Compound for the Arts
Saint Louis, Missouri
The @ sign followed by a username is used for mentioning or replying to other users when using the social networking and microblogging service twitter.
An ancient Japanese legend promises that anyone who folds a thousand origami cranes will be granted a wish by a crane, such as long life or recovery from illness or injury. The crane in Japan is one of the mystical or holy creatures (others include the dragon and the tortoise), and is said to live for a thousand years. In Asia, it is commonly said that folding 1000 paper origami cranes makes a person’s wish come true. This makes them popular gifts for special friends and family. A thousand paper cranes are also traditionally given as a wedding gift by the folder, who is wishing a thousand years of happiness and prosperity upon the couple. They can also be gifted to a new baby for long life and good luck.
A heterarchy is a system of organization replete with overlap, multiplicity, mixed ascendancy, and/or divergent but coexistent patterns of relation. Definitions of the term vary among the disciplines.
Wikipedia contributors. “Thousand origami cranes.” Wikipedia, The Free Encyclopedia. Wikipedia, The Free Encyclopedia, 28 Aug. 2010. Web. 3 Sep. 2010.
Wikipedia contributors. “Heterarchy.” Wikipedia, The Free Encyclopedia. Wikipedia, The Free Encyclopedia, 3 Aug. 2010. Web. 3 Sep. 2010.
The Dictionary of @narcise

“The Dictionary of @narcise”
2010
Installation
Aluminum, chain, glass, marker, masking tape,
paper, string, found wagon and books
Exhibited:
Solo Exhibit
June 2010
Heterarchy: An Ordinary Adventure
Mostly New Work by Amy VanDonsel
Fort Gondo Compound for the Arts
Saint Louis, Missouri
The @ sign followed by a username is used for mentioning or replying to other users when using the social networking and microblogging service twitter.
A heterarchy is a system of organization replete with overlap, multiplicity, mixed ascendancy, and/or divergent but coexistent patterns of relation. Definitions of the term vary among the disciplines.
Wikipedia contributors. “Heterarchy.” Wikipedia, The Free Encyclopedia. Wikipedia, The Free Encyclopedia, 3 Aug. 2010. Web. 3 Sep. 2010.
Cloud and Wave
“Cloud and Wave”
2010
45×35
Acryclic, marker, paper on found print by Robert Ware
Exhibited:
Solo Exhibit
June 2010
Heterarchy: An Ordinary Adventure
Mostly New Work by Amy VanDonsel
Fort Gondo Compound for the Arts
Saint Louis, Missouri
She’s a Cosmic Library
“She’s a Cosmic Library”
2010
30X24
Acrylic, charcoal, ink, marker, paper, pastel, wood stain on panel
Exhibited:
Solo Exhibit
June 2010
Heterarchy: An Ordinary Adventure
Mostly New Work by Amy VanDonsel
Fort Gondo Compound for the Arts
Saint Louis, Missouri
India Ocean
India Ocean
2010
30×24
Acrylic, ink, pastel, paper, pencil, wood stain on panel
Innocent School Fire
Innocent School Fire
2010
20×16
Acrylic, ink, paper, pastel, pencil, wood stain on panel
Correction Pen
Correction Pen
2010
16×20
Acrylic, charcoal, paper, pastel, wood stain on panel
Home, Joyce
Home, Joyce
2010
24×18
Acrylic, charcoal, ink, paper, pastel, wood stain on panel
Wall Ball 2010
Painted live at Wall Ball 2010.
Untitled
2010
36×36
Acrylic, charcoal, ink, pastel, paper on canvas.
Untitled
Untitled
2009
30×16
Acrylic, paper, pastel, marker on canvas
Cover Illustration – Molecular Cell

Acrylic and ink on canvas
Original Illustration
Cover of Molecular Cell
10 July, 2009
Volume 35, Issue 1
Illustrating Srs2 Disassembles Rad51 Filaments by a Protein-Protein Interaction Triggering ATP Turnover and Dissociation of Rad51 from DNA
By Edwin Antony, Eric J. Tomko, Qi Xiao, Lumir Krejci, Timothy M. Lohman, Tom Ellenberger
“Srs2 (blue) clears Rad51 filaments from ssDNA to downregulate homologous recombination. A specific interaction with Srs2 allosterically triggers ATP hydrolysis within the Rad51 filament, causing it to dissociate.”
Katamari
“Katamari”
2009
210×48
Acrylic, charcoal, found objects, paper and pastel on board
Exhibited: “Large & In Charge,” Flax Gallery, Saint Louis
Statement:
“King of All Cosmos: My, Earth really is full of things!”
Wikipedia: “Katamari Damacy (塊魂, Katamari Damashii, lit. “Clump Spirit”) is a third-person puzzle-action video game that is published and developed by Namco for the PlayStation 2 video game console. It was first released in Japan, and then later in South Korea and North America. The game’s plot concerns a diminutive prince on a mission to rebuild the stars, constellations and Moon, which were accidentally destroyed by his father, the King of All Cosmos. This is achieved by rolling a magical, highly adhesive ball called a katamari around various locations, collecting increasingly larger objects, ranging from thumbtacks to people to mountains, until the ball has grown large enough to become a star. Katamari Damacy’s story, characters, and settings are bizarre and heavily stylized, rarely attempting any semblance of realism, though the brands and items used are based on those current in Japan during the game’s production.”
Photo by Jessica Burns.
Dining Room

Dining Room
2009
20×24
Acrylic, ink, marker, paper, and pastel on canvas.
Photo by David Burnett.
Pagoda

“Pagoda”
2009
36×36
Acrylic, charcoal, ink, paper, and pastel on canvas.
Painted live for Wall Ball 2009 to benefit St. Louis City Open Studio and Gallery.
Photos by Jason Lauderdale.






































































